Where a diptych was made up of a pair of plates that were hinged together and filled with wax that could be inscribed, a stylus was then used to scratch the surface of the wax to write on it.Īn ivory consular diptych of Areobindus, Byzantium (506 AD), located in the Louvre Museum in Paris, France Louvre Museum, Public domain, via Wikimedia Commons Diptychs were used as writing tablets that could fold we can almost think of the diptych as an ancient version of the standard notebook. If we break down the diptych definition, we find that it is derived from the Greek words di meaning “two” and ptychē meaning “fold.” Its original title gives us an indication of its original function. An example of this would be a diptych containing the portraits of a married couple, where each partner was depicted in a separate panel, but the same color palette and technique were used in each panel to provide cohesion. It is also common for the panels to share composition or color but depict different scenes in each panel. The two panels often depict scenes that are closely related to each other or demonstrate different perspectives of the same scene. Adding another panel would transform the diptych into a triptych.ĭiptychs come in a variety of styles. The panels that form diptych artwork can be fixed together by a hinge or they can be adjoining pieces. The formation can be portrait or landscape and it is common for both pieces to be the same size. Diptych artwork can feature paintings, photographs, drawings, carvings, or any flat piece of artwork. Here is the diptych definition, put simply a diptych is an object that is made up of two parts, a singular piece of artwork formed by a pair of panels joined together. 4.3 What Is the Evolution of the Diptych?.3.5 Vertical Flanking Diptych (Large, Red Line) (1966 – 1968) by Jo Baer.3.4 Marilyn Diptych (1962) by Andy Warhol.3.3 The Sculptor Aubé and His Son, Emile (1882) by Paul Gauguin. 3.2 Diptych of Federico da Montefeltro and Battista Sforza (c.3 Five of the Most Famous Diptych Paintings.
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